Ryan Coogler’s “Sinners” Merges Vampires, Blues, and Black History in His Most Personal Film Yet

Ryan Coogler, acclaimed director of Black Panther and Fruitvale Station, returns with Sinners, a blood-soaked yet deeply personal period vampire thriller set in 1930s Mississippi. Though rooted in horror, the film is a poignant reflection of Coogler’s family history, African American struggles, and a lifelong love of cinema.

Speaking from a New York hotel following the movie’s premiere, Coogler is momentarily interrupted by his children, a warm reminder of the very legacy that inspires his work. “It’s me growing and dealing with my own position, my own mortality,” he shares.

Sinners, his fifth feature film and first original screenplay, is Coogler’s creative tribute to the Great Migration era, weaving in elements of slavery, post-war trauma, Ku Klux Klan terror, Christian and African spirituality, and the roots of the blues. The film stars his longtime collaborator Michael B. Jordan in dual roles as twin brothers Smoke and Stack, whose plan to open a juke joint quickly turns into chaos.

Though brimming with action, supernatural elements, and a haunting soundtrack, Sinners is grounded in cultural authenticity. Coogler drew inspiration from his Mississippi-born uncle, his twin aunts, and conversations with elders of the “silent generation.” The story is not only about good vs. evil, but about identity, survival, and artistic expression amid systemic oppression.

“Soulful but spectacular” defines Coogler’s signature style. His films speak to specific Black experiences while resonating universally. “We’re real movie people,” he says, referring to himself and his wife, Zinzi, who co-produces his work. Their love for storytelling is generational—his father once took him to see Boyz n the Hood and Malcolm X, experiences that profoundly shaped his vision.

Sinners also touches on the mythology of twins in African cultures, particularly Yoruba traditions, and includes a multicultural cast of characters beyond Black and white binaries. “I’m not trying to simplify this to one group tearing down another,” Coogler insists. “There are layers.”

Music, especially blues, is central to the film’s emotional and narrative core. One standout scene features a transcendent blues performance that breaks through time, cultures, and genres—symbolizing America’s multicultural foundation. “Blues is America’s greatest contribution to global culture,” Coogler says, emphasizing its spiritual and cultural significance.

Despite recent political shifts that threaten Black representation in media, Coogler’s work remains defiant and impactful. His films counter the backlash with success, substance, and style. Black Panther, a cultural milestone, stands as proof that stories rooted in authenticity can dominate globally.

As for the future of Wakanda, Coogler remains optimistic. Though tight-lipped about Black Panther 3, he expresses love for the Marvel team and hints at ongoing involvement. However, family calls again—his kids burst into the room. “They’ve come to collect me,” he laughs. Just like his films, Ryan Coogler remains grounded in what matters most.

Sinners is now showing in cinemas worldwide.